{"id":18,"date":"2026-05-18T09:25:59","date_gmt":"2026-05-18T08:25:59","guid":{"rendered":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/front-matter\/echo-vowel-cillak%e1%b9%a3ara%e1%b9%83-or-cillu-letter\/"},"modified":"2026-05-18T12:23:52","modified_gmt":"2026-05-18T11:23:52","slug":"echo-vowel-cillak%e1%b9%a3ara%e1%b9%83-or-cillu-letter","status":"publish","type":"front-matter","link":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/front-matter\/echo-vowel-cillak%e1%b9%a3ara%e1%b9%83-or-cillu-letter\/","title":{"raw":"Echo Vowel - cillak\u1e63ara\u1e43, or cill\u01d4 letter","rendered":"Echo Vowel – cillak\u1e63ara\u1e43, or cill\u01d4 letter"},"content":{"raw":"Many Malayalam words end in a special type of vowel that we will call the echo vowel (also called a schwa). Think of it as a kind of half-u vowel sound, a special dependent vowel. Echo vowel has no initial form. It is indicated by a small crescent high and to the right of a basic consonant (\u0d4d). At the end of a word (where it most frequently occurs), the echo vowel is just another vowel sound.\n\nHowever, the modern Malayalam script also uses the same symbol to cut off the inherent final a-sound in a consonant.\u00a0As a general rule of thumb, if the echo vowel is at the end of a word, you can treat it as a half-u vowel sound; if it\u2019s in the middle of a word, it cuts off the a-sound and creates a consonant cluster<\/em>. Some simple examples with transliteration should illustrate the difference.\n
\u0d24\u0d4d (t\u01d4) as in \u0d05\u0d24\u0d4d (at\u01d4) \u201cthat one\u201d\n\u0d1f\u0d4d (\u1e6d\u01d4) as in \u0d28\u0d3e\u0d1f\u0d4d (n\u0101\u1e6d\u01d4) \u201ccountry, region\u201d\n\u0d24\u0d4d\u0d2a (tpa) as in \u0d09\u0d24\u0d4d\u0d2a\u0d24\u0d4d\u0d24\u0d3f (utpatti) \u201corigin\u201d\n\u0d37\u0d4d\u0d1f (\u1e63\u1e6da) as in \u0d15\u0d37\u0d4d\u0d1f\u0d02 (ka\u1e63\u1e6da\u1e43) \u201ctrouble, problem\u201d<\/strong><\/blockquote>\n

There is another way to cut off the inherent a-sound in a consonant. In Malayalam, it\u2019s called a\u00a0cillak\u1e63ara\u1e43<\/span><\/em>, or\u00a0cill\u01d4<\/em>\u00a0letter. For common words that end in a consonant, a line is drawn vertically to indicate that the a-sound is cut off. In principle, the echo vowel does the same thing, but in practice it\u2019s better to treat echo vowel as a vowel. When words end with one of the following consonants, the\u00a0cill\u01d4<\/em>\u00a0letter is required. They can also be used in the middle of words with the same effect. While related, therefore, the echo vowel and a\u00a0cill\u01d4<\/em>\u00a0marker are\u00a0not<\/strong>\u00a0the same.<\/p>\n\n

\u0d23 \u2192 \u0d7a (\u1e47)\n\u0d28 \u2192 \u0d7b (n)\n\u0d30\/\u0d31 \u2192 \u0d7c (r)\n\u0d24\/\u0d32 \u2192 \u0d7d (t\/l)\n\u0d33 \u2192 \u0d7e (\u1e37)\n\u0d15 \u2192 \u0d7f (k)<\/strong><\/blockquote>\nOther consonants do not have\u00a0cill\u01d4<\/em>\u00a0forms. Those all use the echo vowel marker to create a final consonant, though the half-u sound is often still pronounced.\n
\u0d37\u0d4d (\u1e63) as in \u0d2e\u0d3e\u0d37\u0d4d (m\u0101\u1e63) \u201cteacher\u201d\n\u0d21\u0d4d (\u1e0d) as in \u0d21\u0d47\u0d35\u0d3f\u0d21\u0d4d (\u1e0d\u0113vi\u1e0d) \u201cDavid\u201d (name)\n\u0d38\u0d4d (s) as in \u0d2e\u0d28\u0d38\u0d4d\u0d38\u0d4d (manass\u01d4) \u201cmind, heart\u201d\n\u0d19\u0d4d (\u1e45) as in \u0d24\u0d46\u0d19\u0d4d\u0d19\u0d4d (te\u1e45\u1e45\u01d4) \u201ccoconut tree\u201d<\/blockquote>\nThe use of echo vowel and\u00a0cill\u01d4<\/em> letters is very common and you will pick up how to use each correctly with a little practice\n\n
\n\nFinally, many Malayalam words combine more than one consonant together into a conjunct or cluster. Usually, a conjunct combines two consonants by joining them horizontally at a common stroke or by using the echo vowel marker on the first. You shouldn\u2019t have to memorize every possible cluster, because the methods or patterns of combining consonants are limited. Notice the patterns in some of the more common conjunct consonants:\n\n\n\n\n
\u0d15\u0d4d\u0d24<\/td>\n\u0d15\u0d4d\u0d37<\/td>\n\u0d17\u0d4d\u0d28<\/td>\n\u0d1c\u0d4d\u0d1e<\/td>\n\u0d24\u0d4d\u0d25<\/td>\n\u0d24\u0d4d\u0d2e<\/td>\n\u0d24\u0d4d\u0d38<\/td>\n\u0d26\u0d4d\u0d27<\/td>\n\u0d36\u0d4d\u0d1a<\/td>\n\u0d38\u0d4d\u0d25<\/td>\n<\/tr>\n
kta<\/td>\nk\u1e63a<\/td>\ngna<\/td>\nj\u00f1a<\/td>\nttha<\/td>\ntma<\/td>\ntsa<\/td>\nddha<\/td>\n\u015bca<\/td>\nstha<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nSome n-sounds are tricky in how they combine with other consonants.\n\n\n\n\n
\u0d19\u0d4d\u0d15<\/td>\n\u0d1e\u0d4d\u0d1a<\/td>\n\u0d23\u0d4d\u0d1f<\/td>\n\u0d28\u0d4d\u0d24<\/td>\n\u0d28\u0d4d\u0d26<\/td>\n\u0d2e\u0d4d\u0d2a<\/td>\n\u0d28\u0d4d\u0d31<\/td>\n<\/tr>\n
\u1e45ka<\/td>\n\u00f1ca<\/td>\n\u1e47\u1e6da<\/td>\nnta<\/td>\nnda<\/td>\nmpa<\/td>\n\u1e49\u1e6fa<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nThe remaining conjunct consonants often use the echo vowel marker to make conjuncts. Traditionally, these conjuncts would have been written vertically, with the second letter below the first. You will see both.\n\n\n\n\n
\u0d15\u0d4d\u0d2e<\/td>\n\u0d2f\u0d4d\u0d24<\/td>\n\u0d2f\u0d4d\u0d1a\u0d4d\u0d1a<\/td>\n\u0d38\u0d4d\u0d28<\/td>\n\u0d38\u0d4d\u200c\u0d15<\/td>\n\u0d37\u0d4d\u0d2e<\/td>\n\u0d37\u0d4d\u0d1f<\/td>\n\u0d37\u0d4d\u0d23<\/td>\n\u0d36\u0d4d\u0d28<\/td>\n\u0d38\u0d4d\u0d2a<\/td>\n\u0d34\u0d4d\u200c\u0d1a<\/td>\n<\/tr>\n
kma<\/td>\nyta<\/td>\nycca<\/td>\nsna<\/td>\nska<\/td>\n\u1e63ma<\/td>\n\u1e63\u1e6da<\/td>\n\u1e63\u1e47a<\/td>\n\u015bna<\/td>\nspa<\/td>\n\u1e3bca<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nFinally, a few special combining consonant markers for the semivowels (\u0d2f \u0d30\/\u0d31 \u0d32 and \u0d35) are used to make the writing less cluttered. These frequent combining forms are simplified or stylized versions of the regular consonant. These are the\u00a0dependent semivowels<\/em>.\n
\u0d24\u0d4d + \u0d2f = \u0d24\u0d4d\u0d2f\n\u0d35\u0d4d + \u0d30 = \u0d2a\u0d4d\u0d30\n\u0d2a\u0d4d + \u0d32 = \u0d2a\u0d4d\u0d32\n\u0d38\u0d4d + \u0d35 = \u0d38\u0d4d\u0d35<\/strong><\/blockquote>\nOnce you have mastered the basic consonants and common conjuncts above, you will easily recognize other conjuncts that occur.","rendered":"

Many Malayalam words end in a special type of vowel that we will call the echo vowel (also called a schwa). Think of it as a kind of half-u vowel sound, a special dependent vowel. Echo vowel has no initial form. It is indicated by a small crescent high and to the right of a basic consonant (\u0d4d). At the end of a word (where it most frequently occurs), the echo vowel is just another vowel sound.<\/p>\n

However, the modern Malayalam script also uses the same symbol to cut off the inherent final a-sound in a consonant.\u00a0As a general rule of thumb, if the echo vowel is at the end of a word, you can treat it as a half-u vowel sound; if it\u2019s in the middle of a word, it cuts off the a-sound and creates a consonant cluster<\/em>. Some simple examples with transliteration should illustrate the difference.<\/p>\n

\u0d24\u0d4d (t\u01d4) as in \u0d05\u0d24\u0d4d (at\u01d4) \u201cthat one\u201d
\n\u0d1f\u0d4d (\u1e6d\u01d4) as in \u0d28\u0d3e\u0d1f\u0d4d (n\u0101\u1e6d\u01d4) \u201ccountry, region\u201d
\n\u0d24\u0d4d\u0d2a (tpa) as in \u0d09\u0d24\u0d4d\u0d2a\u0d24\u0d4d\u0d24\u0d3f (utpatti) \u201corigin\u201d
\n\u0d37\u0d4d\u0d1f (\u1e63\u1e6da) as in \u0d15\u0d37\u0d4d\u0d1f\u0d02 (ka\u1e63\u1e6da\u1e43) \u201ctrouble, problem\u201d<\/strong><\/p><\/blockquote>\n

There is another way to cut off the inherent a-sound in a consonant. In Malayalam, it\u2019s called a\u00a0cillak\u1e63ara\u1e43<\/span><\/em>, or\u00a0cill\u01d4<\/em>\u00a0letter. For common words that end in a consonant, a line is drawn vertically to indicate that the a-sound is cut off. In principle, the echo vowel does the same thing, but in practice it\u2019s better to treat echo vowel as a vowel. When words end with one of the following consonants, the\u00a0cill\u01d4<\/em>\u00a0letter is required. They can also be used in the middle of words with the same effect. While related, therefore, the echo vowel and a\u00a0cill\u01d4<\/em>\u00a0marker are\u00a0not<\/strong>\u00a0the same.<\/p>\n

\u0d23 \u2192 \u0d7a (\u1e47)
\n\u0d28 \u2192 \u0d7b (n)
\n\u0d30\/\u0d31 \u2192 \u0d7c (r)
\n\u0d24\/\u0d32 \u2192 \u0d7d (t\/l)
\n\u0d33 \u2192 \u0d7e (\u1e37)
\n\u0d15 \u2192 \u0d7f (k)<\/strong><\/p><\/blockquote>\n

Other consonants do not have\u00a0cill\u01d4<\/em>\u00a0forms. Those all use the echo vowel marker to create a final consonant, though the half-u sound is often still pronounced.<\/p>\n

\u0d37\u0d4d (\u1e63) as in \u0d2e\u0d3e\u0d37\u0d4d (m\u0101\u1e63) \u201cteacher\u201d
\n\u0d21\u0d4d (\u1e0d) as in \u0d21\u0d47\u0d35\u0d3f\u0d21\u0d4d (\u1e0d\u0113vi\u1e0d) \u201cDavid\u201d (name)
\n\u0d38\u0d4d (s) as in \u0d2e\u0d28\u0d38\u0d4d\u0d38\u0d4d (manass\u01d4) \u201cmind, heart\u201d
\n\u0d19\u0d4d (\u1e45) as in \u0d24\u0d46\u0d19\u0d4d\u0d19\u0d4d (te\u1e45\u1e45\u01d4) \u201ccoconut tree\u201d<\/p><\/blockquote>\n

The use of echo vowel and\u00a0cill\u01d4<\/em> letters is very common and you will pick up how to use each correctly with a little practice<\/p>\n

\n

Finally, many Malayalam words combine more than one consonant together into a conjunct or cluster. Usually, a conjunct combines two consonants by joining them horizontally at a common stroke or by using the echo vowel marker on the first. You shouldn\u2019t have to memorize every possible cluster, because the methods or patterns of combining consonants are limited. Notice the patterns in some of the more common conjunct consonants:<\/p>\n\n\n\n\n
\u0d15\u0d4d\u0d24<\/td>\n\u0d15\u0d4d\u0d37<\/td>\n\u0d17\u0d4d\u0d28<\/td>\n\u0d1c\u0d4d\u0d1e<\/td>\n\u0d24\u0d4d\u0d25<\/td>\n\u0d24\u0d4d\u0d2e<\/td>\n\u0d24\u0d4d\u0d38<\/td>\n\u0d26\u0d4d\u0d27<\/td>\n\u0d36\u0d4d\u0d1a<\/td>\n\u0d38\u0d4d\u0d25<\/td>\n<\/tr>\n
kta<\/td>\nk\u1e63a<\/td>\ngna<\/td>\nj\u00f1a<\/td>\nttha<\/td>\ntma<\/td>\ntsa<\/td>\nddha<\/td>\n\u015bca<\/td>\nstha<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Some n-sounds are tricky in how they combine with other consonants.<\/p>\n\n\n\n\n
\u0d19\u0d4d\u0d15<\/td>\n\u0d1e\u0d4d\u0d1a<\/td>\n\u0d23\u0d4d\u0d1f<\/td>\n\u0d28\u0d4d\u0d24<\/td>\n\u0d28\u0d4d\u0d26<\/td>\n\u0d2e\u0d4d\u0d2a<\/td>\n\u0d28\u0d4d\u0d31<\/td>\n<\/tr>\n
\u1e45ka<\/td>\n\u00f1ca<\/td>\n\u1e47\u1e6da<\/td>\nnta<\/td>\nnda<\/td>\nmpa<\/td>\n\u1e49\u1e6fa<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The remaining conjunct consonants often use the echo vowel marker to make conjuncts. Traditionally, these conjuncts would have been written vertically, with the second letter below the first. You will see both.<\/p>\n\n\n\n\n
\u0d15\u0d4d\u0d2e<\/td>\n\u0d2f\u0d4d\u0d24<\/td>\n\u0d2f\u0d4d\u0d1a\u0d4d\u0d1a<\/td>\n\u0d38\u0d4d\u0d28<\/td>\n\u0d38\u0d4d\u200c\u0d15<\/td>\n\u0d37\u0d4d\u0d2e<\/td>\n\u0d37\u0d4d\u0d1f<\/td>\n\u0d37\u0d4d\u0d23<\/td>\n\u0d36\u0d4d\u0d28<\/td>\n\u0d38\u0d4d\u0d2a<\/td>\n\u0d34\u0d4d\u200c\u0d1a<\/td>\n<\/tr>\n
kma<\/td>\nyta<\/td>\nycca<\/td>\nsna<\/td>\nska<\/td>\n\u1e63ma<\/td>\n\u1e63\u1e6da<\/td>\n\u1e63\u1e47a<\/td>\n\u015bna<\/td>\nspa<\/td>\n\u1e3bca<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Finally, a few special combining consonant markers for the semivowels (\u0d2f \u0d30\/\u0d31 \u0d32 and \u0d35) are used to make the writing less cluttered. These frequent combining forms are simplified or stylized versions of the regular consonant. These are the\u00a0dependent semivowels<\/em>.<\/p>\n

\u0d24\u0d4d + \u0d2f = \u0d24\u0d4d\u0d2f
\n\u0d35\u0d4d + \u0d30 = \u0d2a\u0d4d\u0d30
\n\u0d2a\u0d4d + \u0d32 = \u0d2a\u0d4d\u0d32
\n\u0d38\u0d4d + \u0d35 = \u0d38\u0d4d\u0d35<\/strong><\/p><\/blockquote>\n

Once you have mastered the basic consonants and common conjuncts above, you will easily recognize other conjuncts that occur.<\/p>\n","protected":false},"author":1,"menu_order":4,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"front-matter-type":[],"contributor":[],"license":[],"class_list":["post-18","front-matter","type-front-matter","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/pressbooks\/v2\/front-matter\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/pressbooks\/v2\/front-matter"}],"about":[{"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/wp\/v2\/types\/front-matter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/pressbooks\/v2\/front-matter\/18\/revisions"}],"metadata":[{"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/pressbooks\/v2\/front-matter\/18\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"front-matter-type","embeddable":true,"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/pressbooks\/v2\/front-matter-type?post=18"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/wp\/v2\/contributor?post=18"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.psgaesthetics.uk\/moagml\/wp-json\/wp\/v2\/license?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}